That’s why I’m here with my new blog. I have some engaging and powerful Indian short films that will teach you a lot about using writing techniques effectively and precisely. If you are an aspiring or professional screenwriter, you must watch these short films. They are not just films; they are worthy masterclasses.

In this blog, I’ve shared 10 must-watch Indian short films along with the major writing techniques used in them. Must read the blog to sharpen your storytelling instincts.

Let’s dive into it.

1. Chutney

Chutney is a psychological drama and thriller released in 2016. It is directed by Jyoti Kapus Das, with a screentime of approximately 17 minutes. Chutney first appears to be a simple conversation between two women, Vanita and Rasika. Vanita is one of the most brilliantly written characters in Chutney.

At first glance, Vanita appears to be a soft-spoken housewife who remains almost invisible in the social gatherings. This is exactly how others perceive her, and that perception becomes her greatest strength.

One day, Vanita narrates an ordinary story to Rasika about her domestic worker. As the narrative unfolds, their conversation becomes darker with unexpected revelations. The tone begins suspenseful and thrilling. By the end, the audience realised Vanita’s story wasn’t just a story, but a confession in her storytelling art.

Some major Screenwriting Techniques Used.

Ultimately, Chutney is one of the beautifully written Indian short films, where writing speaks louder than characters. It is a masterclass of good writing and writing techniques for screenwriters.

2. Ahalya

Writer: Sujoy Ghosh

Ahalya is a psychological thriller and mythological adaptation released in 2015. It is directed by Sujoy Ghosh and has a screentime of 14 minutes. Ahalya is a modern, dark reinterpretation of a mythological tale. The story unfolds with a young police man, Indra Sen, visiting an old artist’s house to investigate a missing person case. There, he meets the mysterious and attractive woman, Ahalya.

As he continued the conversation, the atmosphere of the room, filled with strange objects, cryptic hints and Ahalya’s behaviour, started building tension. What seems like a routine inquiry soon turns into far more sinister. By the end, reality twists into something unexpected. A haunting truth leaves the audience disturbed and fascinated.

Some major Screenwriting Techniques Used:

Overall, Ahalya is a worthy short film that works as a complete learning experience for screenwriters.

3. Ouch

Writer: Neeraj Pandey

Ouch is a dark comedy and relationship drama released in 2016. It is directed by Neeraj Pandey, with a screentime of around 15 minutes. Ouch revolves around a married man, Vinay, who has a secret affair with Priya. He plans a romantic getaway with his girlfriend, but it has an unexpected outcome.

Ouch explores a cleverly written conversation between Vinay and Priya, filled with awkwardness, humour, and tension. As the situation unfolds, Vinay, who initially seems confident, loses control of the situation over time. By the end, the story delivers a sharp twist that leaves both the character and the audience with a subtle “ouch.”

Some major Screenwriting Techniques Used:

  • The entire plot is built on a single situation with a single location and limited characters.
  • Strong dialogue writing. Conversations are strategically written to reveal character intentions.
  • Writing smartly using breadcrumming, killing your darlings, and the economy of words. The story smartly reverses control from the man to the woman without dramatic confrontation.
  • The inciting Incident occurs when Vinay plans a secret getaway with his girlfriend, Naina. He becomes the architect of his own misery by choosing to cheat his wife.
  • Twisted ending with emotional impact. The climax is not shocking, but deeply satisfying because it feels real and earned.

Ultimately, Ouch is a beautifully written Indian short film that shows that even a simple premise can become powerful with the right execution.

4. Juice

Writer: Neeraj Ghaywan Co-writers: Neeraj Ghaywan, Ranjan Chandel, Suraj Majhi

Juice is a social drama short film, released in 2017. It is directed by Neeraj Ghaywan and has a time limit of approximately 15 minutes. Juice’s story is based on gender inequality. It starts with a typical house party where men enjoy themselves in an air-conditioned room, while women are cooking in the hot kitchen.

Among them, Manju silently observes this inequality. The conversations around her were beautifully written. That normalised the roles of gender and began to build internal tension. But everything changes in a powerful final moment. Manju takes an unimaginable rebellious action that surprises everyone. She doesn’t even use a word, only her action, expression, and a glass of juice, enough to shut everyone up.

Some major Screenwriting Techniques Used.

  • Inspired by realism. The setting and characters feel extremely real, which makes the message more impactful.
  • Worthy use of the “Show, Don’t Tell” technique. All set up, expressions, and actions are worthwhile. Especially in the climax, when Manju takes a rebellious action.
  • The protagonist’s journey is internal, which makes the climax more powerful. Action, conflict, and reversal occur when, after many tries, Manju finally repairs the faulty table fan, but it stops again.
  • Use of “juice” as a metaphor goes with the story. Juice is for privilege, comfort and coolness.
  • Strong dialogue writing and use of economy of words. Each dialogue is worthy, each silence matters.

Overall, Juice is a binge-worthy short film that holds many writing techniques in a short time. Screenwriters have many techniques to learn from it.

5. Natkhat

Writers: Annujampa Harsh, Shaan Vyas

Natkhat is a social drama short film, released in 2020. It is directed by Shaan Vyas and has a screentime of around 33 minutes. Natkhat’s story revolves around a young boy, Sonu, from a village whose casual, harmless remark begins to reflect rooted gender biases. His mother, Surekha, notices these early signs and decides to address them, not through punishment, but through storytelling.

She narrates a gripping tale that mirrors real-world violence against women. As the story progresses, Sonu begins to understand the consequences of such attitudes. The ending leaves a strong emotional reflection on how values are shaped in childhood.

Some major Screenwriting Techniques Used.

  • Fine use of breadcrumbing. A narrative layered inside another narrative enhances emotional engagement and impact. Tension rises through realisation and empathy.
  • Subtexts are used throughout the narrative through the lens of a small boy.
  • Its emotionally impactful ending shifts the mindset and spreads awareness about violence against women.

Overall, Natkhat is a beautiful story that educates people about crimes against women. It forces viewers to rethink the social issue. Screenwriters can learn how to use a sensitive topic to create a precise short film.

6. That Day After Every Day

Writer: Nitin Bhardwaj

That Day After Every Day is a women-centric social drama short film released in 2013. It is directed by Anurag Kashyap, with a screentime of approximately 20 minutes. That Day After Every Day is based on the lives of three working women, Rekha, Chanchal and Durga, who walk through the same unsafe streets daily.

Every day, they face harassment from a group of men. That becomes a disturbing routine. Initially, women ignore them, but as the harassment continues, the emotional pressure builds. Fear slowly transforms into frustration.

The turning point comes when the women decide to stop tolerating it for every woman who uses that street. The film ends on a strong, empowering moment that breaks the cycle of silence.

Some Major Screenwriting Techniques Used

  • Master use of show, don’t tell. Fear, darkness and actions are brilliantly used throughout the screenplay.
  • Use of no dialogues or fewer dialogues makes the situation deeper and more tense. Women are facing harassment every day, but ignore it daily.
  • Use the repetition as a narrative tool. Daily harassment is shown repeatedly to emphasise normalisation and build emotional weight.
  • Beautifully written script with character transformation. Women’s journey from fear to courage feels organic and believable.
  • Emotionally satisfying climax. Societal norms break and change the situation.

That Day After Every Day has many more things to learn for a screenwriter. It is a cinema that mirrors a social issue through credible storytelling.

7. The Promise

Writer: Tigmanshu Dhulia

The Promise is a romantic drama short film released in 2017. It is directed by Tigmanshu Dhulia and has a screentime of around 11 minutes. The Promise is a deeply emotional story about love, commitment and consequences. It follows George, dealing with a past relationship that once defined his life.

When George meets Chitra, a conversation begins that unfolds how a simple promise continues to shape his present. Many moments of affection, regret, and introspection come to reveal that emotions don’t fade with time. By the end, it leaves the audience with a bittersweet realisation about love and letting go.

Some Major Screenwriting Techniques Used.

  • The film follows a non-linear narrative. It moves between past and present, gradually revealing emotional depth.
  • Use fewer, but stronger dialogues. Uses emotions, silences and expressions to make the story more emotionally gripping.
  • Uses minimum locations and characters to create an impactful short film.
  • Best use of internal conflicts and dilemmas in the characters. Both are fighting inner battles.
  • Bittersweet Ending. The conclusion doesn’t resolve everything; it leaves an emotional echo that stays even after the film ends.

Ultimately, The Promise is the best masterclass for screenwriters planning to work on this genre. Its non-linear gripping narrative increases curiosity and engages the audience till the end.

8. Devi

Writer: Priyanka Banerjee

Devi is a social drama short film, released in 2020. It is directed by Priyanka Banerjee and has a screentime of approximately 13 minutes. Devi unfolded inside a small room where multiple women gathered. They are all from different backgrounds. At first, their presence together feels unusual, but as conversations begin, the truth slowly emerges as they are all victims of sexual crimes.

Each woman represents a different section of society. Filled with pain, injustice, and silence. The tension rises when a new girl arrives, and the already crowded room struggles to make space for her. The ending of Devi leaves viewers with discomfort. They were shocked to see that new girl.

Some Major Screenwriting Techniques Used

  • Shows a single location narrative. The entire story was filmed in one small room.
  • Focus on one core theme. Multiple characters represent different perspectives, yet serve a similar theme.
  • Perfectly use breadcrumbing. The truth is not revealed instantly; it unfolds layer by layer.
  • Worthy use of dialogues, expressions and visuals throughout the screenplay.
  • A powerful ending that emotionally connects with the audience. It leaves an impact and forces society to rethink that the crimes against women have no age limit.

Ultimately, Devi serves a brilliant storytelling that is layered with many techniques. It serves good writing and teaches how limited locations, visuals, and emotions can make a short film worthwhile.

9. Little Terrorists (2004)

Writer: Ashvin Kumar

Little Terrorists is a social drama film, released in 2004. It is directed by Ashvin Kumar and has a screentime of approximately 16 minutes. Little terrorist is a story of a ten-year-old Pakistani boy, Jamal, who accidentally crosses the border into India while chasing a cricket ball. Soon, this innocent mistake turns into a life-threatening situation due to the tense relationship between the two nations.

Lost and afraid, Jamal encounters an Indian family who chooses to help him find his way back. This beautifully written story contrasts innocence with conflict. It shows how human connection can exist despite fear and political boundaries. The ending is simple but leaves a lasting emotional impact.

Some Major Screenwriting Techniques Used

  • Use of limited locations and characters keeps the focus on the story’s depth.
  • Addition of high stakes in a simple plot. A small incident carries life-or-death consequences, keeping tension high.
  • Fine use of emotions. Fear vs. kindness creates a strong, dramatic impact.
  • Minimal dialogue, strong visuals. The story relies heavily on expressions and situations rather than words.
  • The selection of a universal theme by adding a child’s perspective. A complex political issue is shown through innocent eyes, and humanity beyond borders makes the story globally relatable.

Little Terrorists is one of the unforgettable films that connect the heart. Its simplicity, emotions and visuals are a major lesson for any screenwriter. A must-watch short film for all.

10. Anukul

Writer: Sujoy Ghosh

Anukul is a science fiction and psychological drama, released in 2017. It is directed by Sujoy Ghosh and has a screentime of around 21 minutes. It is based on a story by Satyajit Ray.

Anukul’s story follows Nikunj, a simple man who brings home a humanoid robot named Anukul as a domestic helper. Anukul is polite and intelligent. As they begin living together, a bond of respect and understanding starts to build.

Tension arises when Nikunj’s cousin brother disrespects and humiliates him. It is observed by Anukul. The ending delivers a chilling twist. It leaves the audience questioning morality and the boundaries of artificial intelligence.

Some Major Screenwriting Techniques Used

  • Brilliant use of Sci-fi theme with simplicity. No heavy visuals, just a strong concept explored through everyday life.
  • Character-driver narrative. The emotional connection between man and machine drives the story.
  • Follows foreshadowing. Small hints prepare the audience for the final twist.
  • Create a moral dilemma for the audience. The film avoids clear right or wrong, leaving it as thought-provoking.
  • The ending is quiet but deeply unsettling.

Overall, Anukul is worth watching for those screenwriters who want to create a story on human-robot relationships. It teaches how the domino effect works, when you push the first domino and the rest start falling as a chain reaction.

Final Thought

These short films prove that storytelling is not about duration; it’s about impact. They are a goldmine for screenwriters to learn visual storytelling, emotions, and structure. As a screenwriter, if you can master short-form storytelling, you can master anything.

Now, it’s your turn, screenwriters!

I’d love to hear your experience. Drop your comment and tell me your favourite Indian short film and why it stayed with you.

Also, share this post with your screenwriter friends and spark a creative discussion.

Don’t forget to give your feedback. Your every word matters to us.

Simran Thakur

Author| Audio story scriptwriter| Screenwriter| Blogger| Poet

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